Presented by Cabinet and P.S.1 as part of the series "Fine Print: Alternative Media at P.S.1" Arial photograph of the Courtyard at P.S.1 before the first duel. Brian Dewan providing musical accompaniment for the audience before the first dual. Left: Westphalen's team enters the ring. Right: Tallichet's ninjas prepare for battle. Both teams begin sculpting with large foam blocks. Tallichet's team tackles the secret theme: “Love and its discontents.” Westphalen's team midway through the match. The winning artwork. Left: Big Room enters the ring starting the second dual. Right: Type A prepares to make art. Big Room ponders the secret theme: “Man's inhumanity to man.” Type A nearing the completion of their door-less room. Big Room working out the golden ratio. Finish products: Big Room releases a brick into the atmosphere and Type A escapes their room, destroying it in the process. “Iron Artist” was made possible by the Junior Associates of The Museum of Modern Art.
Venue: Courtyard of P.S.1, Long Island City
Date: Saturday, 10 June 2006, 3:00-5:30 pm
Free with admission
The event, whose point of departure was the original Japanese version of "Iron Chef," was an over-the-top multi-media spectacle of competitive, real-time art-making. It consisted of two duels, each lasting 45 minutes. Using materials and tools available at the venue, the opponents in each duel made an artwork in response to a secret theme revealed to them on the spot. While artists created their work before the audience, running commentary was provided by a panel of celebrity judges, roving reporters, and prominent New York critics.
Duel I: Jude Tallichet against Olav Westphalen
Duel II: Big Room (Julian Laverdiere & Vincent Mazeau) against Type A (Adam Ames and Andrew Bordwin).
Roving reporters gave “play by play” commentary from the thick of the action. The reporters were MASS MoCA curator Nato Thompson and Art in General curator Sofía Hernández Chong Cuy. The event was anchored by Matt Freedman and New York Observer senior editor Choire Sicha. Iron Artist was captured on video and displayed on TVs for the audience in real-time, along with special video segments filmed and edited by artist and Cabinet Editorial Assistant Ned Kihn.
A critic was assigned to each artist and commissioned to write a catalog essay while works were still being made. A catalogue for the entire event, along with the essays and images, was designed by Cabinet graphic designer Leah Beeferman and printed up within half an hour of the end of the show in time for an opening reception for the artworks. Participating critics include: Cabinet editor-at-large Frances Richard, Time Out New York arts editor Andrea Scott, writer and artist Thomas Zummer, and artist and arts writer Barbara Pollack.
Artist and musician Brian Dewan provided musical accompaniment on organ.
A panel of four judges gave marks based on originality, execution, and how closely each artwork responded to the assigned theme. The judges corresponded to different significant segments of the contemporary art world: Mary Ceruti is Executive Director of the Sculpture Center; Monroe Denton is a collector of contemporary art and a critic; Brett Littman is Deputy Director of P.S.1 Contemporary Art Center; and Becky Smith is the owner of Bellwether Gallery in Chelsea.
Iron Artist was conceived by Matt Freedman and Sina Najafi, and co-organized with Colby Chamberlain
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