Columns
- Leftovers / Arm
John Baldwin
The return of Uncle Bud
- Colors / Umber
Yara Flores
Only the shadow knows
- Ingestion / Alone on Floor with Pile of Buttons
Mary Cappello
Chevalier Jackson’s swallowed souvenirs
- Legend / Cat on Edge
Wayne Koestenbaum
The culture of perpetual threshold
Main
- Blow Up
Brian Dillon
Explosive adventures in the air’s uncharted ways
- Artist Project / Roundabout Vancouver
Goodweather
- Pale Sun of the Night
Bernd Brunner
By the light of the silvery moon
- Artist Project / Zugunruhe
Rachel Berwick
- Our Aesthetic Categories: An Interview with Sianne Ngai
Adam Jasper and Sianne Ngai
The cute, the interesting, and the zany
- Artist Project / Untitled
Amie Siegel
- The Hands That Made the Nation
Yoshikuni Igarashi
The builders of Japanese industry
- The Great Cabinet Office Triathlon
Our winner Alice Tai and her splendid cat, Po
Forensics
- Mengele’s Skull
Thomas Keenan and Eyal Weizman
From witness to object
- Osteobiography: An Interview with Clyde Snow
Eyal Weizman and Clyde Snow
Forensic anthropology and the law
- Forensic Machinery
Alain Pottage
Not so patently obvious
- The Freedom of Speech Itself
Lawrence Abu Hamdan
A contemporary chronology of forensic listening
- Tape 342
Susan Schuppli
That dangerous supplement
- Dead Commodities
Godofredo Pereira
The trouble with Simón
- The Similitude of the Wound
Greg Siegel
Framing the victim
- Murky Evidence
Paulo Tavares
Environmental forensics in the age of the Anthropocene
And
- Postcard / The Smith & Wesson Chest Plates
- Bookmark / Absorption Spectra of Blood Samples
Cabinet is a non-profit organization supported by the Lambent Foundation, the Orphiflamme Foundation, the New York Council on the Arts, the NYC Department of Cultural Affairs, the National Endowment for the Arts, the Andy Warhol Foundation for the Visual Arts, the Katchadourian Family Foundation, Goldman Sachs Gives, the Danielson Foundation, and many generous individuals. Please consider making a tax-deductible donation by visiting
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