Fall 2005
Artist Project / Some Letters from Bookmakers
Don’t bet on it
James Peel




James Peel is a graduate of the Royal College of Art. He is a multimedia conceptual artist who has exhibited at Tate Liverpool and The Henry Moore Institute. He has been working on a series of color-music paintings—informed by the eighteenth-century Jesuit Louis-Bertrand Castel’s chromatic code for an Ocular Harpsichord—for Co-ordinates on view in Leeds in September.
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